So states of unsatisfaction, objects which we see, or which reveal an absence,
with the only force of which the individual recovers is susceptive uniqueness.
So you might consider as the option that isolated existence of ours is the chance to exceeding what we can do without the power to do it.
It's all very well precise and votively mysteriously which, he, like the stone statue, encroaches in ability.
I now present the poet is eager to extract some petrified valintromness of the past,
but the images which he left are situated in a life which was open and infinite in Baudelaire's sense of the word...



A time to ease your solace, a time to be so small

We saw you from the urchin's side, from under the boat
We saw you making knots, we saw you get the rope
The boy appearing on the deck and making it lurch
The bubble of your interests ready to burst

He whistles and he runs

We saw you in distraction: a sleeping, slow despair
Rehearsing interaction, he wasn't even there
A creature is a creature though you wish you were the wind
But the boat will not stop moving if you tie him up until the end

He whistles and he runs so hold him fast
Breathe the burn, you want to let it last
He might succumb to what you haven't been
He has a keen eye for what you didn't see

Sing with the song of Interpol, A Time To Be So Small lyrics!


When the cadaverous mob save their doors for the dead men, you cannot leave
When the cadaverous mob save its doors for the dead men, you cannot leave

Ahhhhhhhh

Fancy summer's stall, a time to be so small
To the urchin, see a mirrored time for all
A summerside way of life, a time to be so small
Stronger from the urchin's side, a time to be so small

Urchin will lurch into there, for the facts
Urchin will lurch into there, for the facts
Urchin will lurch into there, for the facts
Urchin will lurch into there, for the facts

When the cadaverous mob save their doors for the dead men, you cannot leave
When the cadaverous mob save their doors for the dead men, you cannot leave

Searching, still searching
Urchin will lurch in there, for the facts
Urchin will lurch in

It's all in the faded past
The bottom of the unwind
It's the end of the world, the past
The bottom of the unwind

interpol

Artist Information

Name:	Paul Banks (Guitar, Vocals, Lyrics), Daniel Kessler (Guitar, Backup Vocals), Carlos D. Dengler (Bass, keyboard (prior to Eric)),
Profile:	Interpol was created in New York City in 1998. The original line-up of the band was Greg on drums, Daniel on guitar, Paul on vox and guitar, and Carlos on bass. Between '98 and 2000, the four lads forged a unique sound in a variety of the city's decrepit and shady rental rehearsal rooms. Paying by the hour, they cultivated a unique aesthetic and developed their notoriously delicate and complicated creative process. In 2000, Greg and the band split leaving Daniel, Paul, and Carlos with a significant and reflective hiatus. It soon came about that Interpol would try out Sam, whom Daniel knew through the record store where Sam worked. Sam was perfect for the band as he gave Interpol a healthy shot of punk aggression and rhythmic backbone. Now with the line-up revitalized, Interpol resumed gigging at venues like Brownies, Mercury Lounge, and The Bowery Ballroom. Throughout 2000 and 2001 they opened for bands like ...And You Will Know Us By The Trail of Dead, Arab Strap, and The Delgados. Then came Interpol's first release, at the end of 2000, in the form of the third installment of the FukdID EP series on Scottish label Chemikal Underground. Around the same time, the band also contributed an unreleased track, "Song Seven," to the Fierce Panda Records compilation Clooney Tunes. Popularity abroad increased as a result of regular rotation on London's XFM. In April 2001 Interpol played in Glasgow, Manchester, and London, capping off their visit with a session for the famed John Peel. Later on in August and November, the group visited France with appearances at festivals La Route du Rock (St. Malo) and Festival Off (Paris) respectively. In November of 2001, the band tucked themselves away in Connecticut at Tarquin Studios to record their debut full-length. The album was recorded and mixed by Peter Katis (Mercury Rev, Clem Snide) and Gareth Jones (Depeche Mode, Nick Cave & the Bad Seeds, Clinic.)
Albums / OSTs:	antics o.c. mix 2, the oc mix 2 precipitate - ep six feet under turn on the bright lights Click here to view All Albums and Song Lyrics of Interpol!