Ey, ey, check it out homie
man, you need to get up out of this spot man
and get a job man before you get smoked man
(yeah, yeah, yeah, yeah, yeah, yeah son...)
I know you don't wanna hear it man
but, ey, man, wait, hold up loc. you got company man
(where's my guns?)


(swear) crack niggas cause they moms missed flips
So black man really care about politics
In the ninety's, our governments so slick
I watch CNN sometimes and I realize
they're playin' tricks on my mind
They want a man to work with his hands
Too young to die, and they don't give a damn
Rare-momma got down on her knees
But not no more, god damn it, I make cheese
I'm on the move and I'ma show and prove
you might cry to my political groove
Rest in peace, Sauce Brothers underneath
I love you to death while my beats' like a reef
In the middle of the night on the city streets
The only thing we got left is the beat

All we got left is the beat, is the beat, yo
All we got left is the beat, huh, give it to me
All we got left is the beat, the beat, yo
All we got left is the beat, uh

Who brings guns into the USA?
And then makes sure that they come around the way
Gain the points until the whole race traps
And teach up my woman that she should call up the cops
The projects are hell, wait a, minute
There's nothin' we do but ride on top of an elevator
Say the clubs, I can't get a job
Mouth to feed, somebody's gettin' robbed
I ain't worked, but I ain't workin' for crumbs
You ever seen a man-shelter?
Check out the bombs!!!
Brother of pain, their whole lives are over
They spent every dime tryin' not to be sober
And all the ladies got bags of clothes
They'll be your long lost momma, one never knows
The streets are like a nightmare
While the presidents secretary is chillin' in his leather chair

All we got left is the beat, is the beat, yo
All we got left is the beat, give it to me

Sing with the song of Ll Cool J, All We Got Left Is The Beat lyrics!

All we got left is the beat, the beat, yo
All we got left is the beat, uh

Lemon to a lime, lime to a lemon
When you need a toga-black, hire black linen
Your rippers' man applause when he can't get a job
He gets up all of his family and feels like a slob
The black women don't understand
Cause they don't realize what it is to be a black man
In the mornin', a brother feels like a jerk
Seein' black women and white men go to work
So all women fear, the brothers ain't real
Cause they won't give us no jobs, that's the real deal
Hold my hand while I get it all together
They don't deserve me at times of bad weather
Cause I'ma make it out the concrete walls
And there's another way besides basketball
Let me go, let me do what I do
I'm red, black and green, then red, white and blue

All we got left is the beat, is the beat, yo
All we got left is the beat, give it to me
All we got left is the beat, is the beat, yo
All we got left is the beat, uh, give it to me

Ridin' in the street you can feel the city heat
A little bit of grass and a whole lot of concrete
Creepin' - I'm standin' on the corner
And you can get robbed if you wanna
Paybacks a mother on the street
You're seein' gold teeth, ya hearin' funky beats
Brothers ride by real slow
You get leary when they got tinted windows
Sittin' on the steps with a blunt
I'm drinkin' Valentine, I wasn't raised up front
My Aunt Ellie always talked about God
Tell me you never cried cause its so hard
Government got a hell of a plan
But word is born they ain't destroyin' this black man

All we got left is the beat, is the beat, yo
All we got left is the beat, give it to me
All we got left is the beat, is the beat, yo
All we got left is the beat, uh, give it to me
All we got left is the beat, is the beat, yo
All we got left is the beat, huh, give it to me
All we got left is the beat, the beat, yo
All we got left is the beat, uh, give it to me

ll cool j

Artist Information

Name:	James Todd Smith
Profile:	Born James Todd Smith on January 14, 1968, Ladies Love Cool James (LL Cool J) began his career in Queens, N.Y. when he was 16 years old, though he had been rapping since the age of nine. His grandfather bought him a mixing table and LL began to record tapes in his home. Inevitably, he sent his tapes to various record labels and finally interested Def Jam Productions. In 1984 they signed him and released his first single, "I Need A Beat." The single sold more than 100,000 copies and established LL Cool J in the rap industry. His debut album, I Can't Live Without My Radio, (which went platinum) was recorded in 1985 after LL left high school to pursue a career in music. 1987 marked the release of his second album Bigger and Deffer, which soared to the No. 3 spot on the pop charts with the help of the hit single, "I Need Love." LL's ability to intuitively combine rap and pop is his strong point, but at the same time it has cost him the respect of many rap fans who claimed he has a sold out. The successful single, "Goin' Back to Cali," appeared on the Less Than Zero soundtrack in 1988, further boosting his crossover popularity. In 1990 LL struck again with Mama Said Knock You Out, which marked him as a rap super-guru and pop deity. After this ascension, he starred in two movies and appeared and performed at the MTV Inaugural Ball in honor of President Clinton. He released 14 Shots to the Dome in 1993. LL returned to the studio to record the double platinum album Mr. Smith in 1995. Throughout the mid-90s, LL continued to branch out into acting, taking roles in films such as Woo, Halloween: H20, and the Oliver Stone football opus Any Given Sunday. During this time, he released All World: Greatest Hits (1996) and Phenomenon (1997), an album that did not do well commercially or critically as it appeared LL was more interested in Hollywood than the hip-hop scene. LL confirmed his attraction to acting over the next few years, taking a small part in 2000â??s Charlieâ??s Angels and then scoring a starring role in the 2002 remake of Rollerball. In between, he found time to release G.O.A.T. (Greatest of All Time), a self-assured collection that highlighted LLâ??s classic lyrical flow and gave him some much-needed cred in the ever-changing rap landscape. With his 2002 release, 10, LL reaffirms the strength of his position in the popular culture of music. â??I consider this disc to be a milestone in my life,â?� says LL Cool J. â??A tenth album for anybody is truly an amazing moment.â?� While the world of hip-hop has not, historically, provided much stability or staying power for the artists that shaped it, LL Cool J has managed to take a stand within it, combining rap and pop influences that appeal to both realms.
Albums / OSTs:	10 14 shots to the dome any given sunday beavis and butt-head do america bigger & deffer deep blue sea g.o.a.t. (greatest of all time) madea's family reunion mama said knock you out mr smith nutty professor phenomenon radio rush hour 2 the definition the show walking with the panther Click here to view All Albums and Song Lyrics of Ll Cool J!